![]() ![]() The ground was pretty spiky and the actors (an older couple) needed a blanket. We worked with Click 3X, or I should say, they worked with us on removing drone shadows (on the beach scene), unwanted clothing and we even removed a large blanket in the last scene in the field. LaGanke and Carlucci: Very minor, but very important. Could you tell me what the VFX consisted of? I’m assuming that none of your couples were matted in. The drone team was Spark Aerial out of San Diego.įilmmaker: I notice VFX credits. It’s a compressed image but good enough for a proper color grade and HD finishing for the web. We thought about using an Epic rig but felt the GH4 gave us more flight time, which was important when you’re literally sniping shots in and around San Francisco The GH4 is a 4K camera. LaGanke and Carlucci: The drone was a S1000 and the camera was a GH4. Below, LaGanke and directing partner John Carlucci talk about the drones, the camera and the logistics of staging sex scenes in open outdoor spaces.įilmmaker: First, what equipment did you use for this? What cameras and drones? When he sent me this latest out-there work, I responded with five questions on its making. While Drone Boning features couples having sex (so, yes, it’s adults-only and NSFW), the eerie glide of the drone and the camera’s distance from these writhing lovers make them more like elements in a video art piece than reflections of desire.įilmmaker previously featured the work of Ghost Cow when we curated LaGanke’s short film, Play House, for the Northside Film Festival. Directors Brandon LaGanke and John Carlucci of Ghost Cow Films have taken what might have been a cynical, viral video SEO-mashup and delivered something deeply weird and oddly hypnotic. In Cinematography, Filmmaker Videos, Filmmaking, Productionīrandon LaGanke, Drones, Ghost Cow Films, John Carlucci, Panasonic GH4, Pornĭrones. ![]()
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